Guest blogger Janna Mandell as to Beauty Binge gives us the inside track on the beauty looks created for designers' Fashion Week shows:
As the following that day of New York Fashion Few weeks came to a close, the fashion crowd leaking out onto the hot and gross Manhattan sidewalks – some of us planning a little, well, worse for utilize. But melted makeup and sabotaged blowouts were far from our mind as visions of textured my bed hair, dramatically lined eyes as ethereal skin from the runways danced in our heads.
At Kate Spade iPhone 5 case, the models looked like Hitchcock heroines after a weekend at a villa inside of St . Tropez. The MAC Cosmetic products pro team gave the phones chunky black-lined eyes and punchy pink pouts, while the Garnier employees fashioned textured beach waves.
The enduring LA Flower Mart inspired most of the Trina Turk collection, so Stila Global Director of Creative Beauty Sarah Lucero created a palette System.Drawing.Bitmap "hues like the petals of a herb. " The models wore over loaded aqua on their lids and energized coral on their lips.
For Carmen Marc Valvo, Romeo Jennings designed for MAC Cosmetics created an "update on a '50s vibe" giving most of the models super-matte saturated siren black lips and sheer burgundy-glossed little eyes.
At Cushnie et Ochs, Maybelline New York created Cleopatra-inspired blocky violet cat eyes with Maybelline Rate Tattoo Leather in Dramatic Charcoal, and gave the models dewy, light-reflecting skin.
Models at Chromat looked ready for a rumble inside of the "Terror Dome. " Oribe Tweaked Stylist Chuck Amos utilized most of the "negative space" of the models' graphic scalp to reflect the collection's Sol LeWitt-inspired intricate lines. Some sort of MAC Cosmetics pro team done the models' eyes pop through the use of orange and white dots in the direction of inner corners of their eyes System.Drawing.Bitmap #2 pencil erasers.
The Zimmermann models evoked the "Fifth Point, " sporting tiny gold ornaments underneath their eyes to complement most of the dusting of shimmery gold inside of the inner corners.
Roughed-up hair near the Rebecca Minkoff was created by Kérastase Lead Artist Odile Gilbert who had been going for a "sexy, bed head glance. " He used Kérastase Versus. I. P. Dry Texture Aerosols to make the models look like they were hiking home the morning after an amazing one-night stand.
The textured tresses near the Costello Tagliapietra had subtle bends at the ends, making the models' learn how to look like undulating ocean waves ensuring your company walked down the runway.
The phones at Monique Lhuillier looked ethereal as they cascaded down the catwalk. IMAC Cosmetics attached iridescent leaf in the direction of inner and outer corners of these models' eyes, which flashed as glowed once they hit the light kit on the runway.
It was all about affording good skin at Charlotte Ronson. The models started with mini-facials from Skyn Iceland and then nature artists used TEMPTU airbrush nature applicators to give the models otherworldly immaculate, glowing skin.
Janna Mandell frequently freelance writer for E! as the Huffington Post. Follower her over Twitter: @BeautyBinge or check out your girlfriend blog: www.mybeautybinge.com
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